8/9/2023 0 Comments Formation insight couleurs![]() ![]() The present examination has identified an overlap in the raw materials used for colouring textiles and for paint in antiquity. Therefore, in instances where there is no or only little evidence of Egyptian blue in the purple colour, indigo may have been used instead in the mixtures of textile dyes. Yet, other studies have confirmed that indigo, derived from the indigo plant (Indigofera tinctoria), was often employed in such portraits. However, in some cases it is unknown which blue pigment was used to create the purple colour. Madder lake is sometimes mixed with Egyptian blue in order to obtain the purple hue on the mummy portraits. In textile dying, madder red was tinted bluish using indigo or woad. The analysis demonstrates that shellfish purple was often imitated in textile dying as well as in painting by using madder and madder lake respectively. The mummy portraits were analysed with two non-invasive photographic methods: UV-induced fluorescence photography (UVF) and visible-induced luminescence (VIL). Il vit et travaille à Londres.ĭepuis septembre 2018 il suit une formation de sculpteur au Royal College of Art.This study investigates the similarities between ancient polychrome painting and textile dyes with regard to the organic colourants used for the depiction of garments on Egyptian mummy portraits from the collections of the Ny Carlsberg Glyptotek, Copenhagen. La réévaluation des techniques, aussi bien mécaniques que manuelles, présente dans ses oeuvres nous invite à revisiter le banal et le quotidien désormais libérés de leur déterminisme.Īlexei Alexander Izmaylov est né en Russie. Izmaylov se sert ensuite de la peinture, du dessin et du langage pour venir altérer ces éléments de manière faussement urgente et chaleureuse. Les éléments qui servent de base à ses assemblages sont souvent produits en utilisant des techniques de production mécanisées réservées à l'industrie. Très orienté vers la recherche, notamment celle de matériaux, le travail d'Alexei Alexander Izmaylov peut être qualifié de composite. Elles interrogent la relation entre leur dimensions rationnelle et symbolique avec perspicacité et humour et un certain sens de la révélation. Les sculptures d'Alexei Alexander Izmaylov se caractérisent par l'usage d'un vocabulaire de formes et de couleurs qui met en avant la dimension esthétique et la forte capacité d'évocation des objets qui les composent. He is currently enrolled on the MA Sculpture programme at the Royal College of Art.īA Visual Communication & Graphic Design 2008 The evaluation of design, mechanical and manual skills that feature in the making of Izmaylov's pieces presents us with the reinterpreted mundane, forcing to look at the everyday free from its determinism.īorn in Russia, Alexei Alexander Izmaylov lives and works in London. In doing so he oscillates between finding novel materials and ways of employing machining techniques made for industrial processes while continuously interacting with his pieces in an urgent fashion by way of assemblage, painting and inlay. Heavily rooted in research, Alexei Alexander Izmaylov makes designs which subsequently yield components for assembly of his artworks. ![]() What follows is cognitive dissonance, insight and a sense of disclosure: gradually revealing that the work possesses a critical and conceptual magnitude which questions both rational and symbolic dimensions. Alexei Alexander Izmaylov's sculpture based practice is fundamentally comprised of intuitive use of light, shape and colour, and his pieces are initially recognised for their aesthetic value and ability to forge a visceral connection. ![]()
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